canadian painter

iceberg painting by Canadian landscape painter

Painting on The Mighty St. Lawrence

Hello all,

I’ve recently returned from yet another amazing Adventure Canada tour (maybe my 14th or something?). This time it was from Quebec City to St. John’s down the the St. Lawrence. This was the first time AC has done this trip and I am so glad I was able to be aboard. Fellow Drawnonward painter Rob Saley was also aboard. We have now traveled together so many times that we can function as a bit of a unit. We were even given the assigned roles of ‘Party Captains’, meaning we led the crusade to keep the lounge lively after dinner. I think we succeeded. Fun was had. Art was made. Above all, it was a great trip.

I could go on about Adventure Canada, how they do things differently and why I have gravitated to this mode of getting around, but you should just check them out yourselves.

Basically, my gig while serving as ‘staff lite’ is to paint ‘en plein air’ (outdoors) on-shore whenever weather and time permit. I am permitted to sell my paintings to passengers. When not painting, I might be giving drawing workshops, showing a documentary film about Drawnonward (the artist collective I have been part of for twenty years or so) and fielding questions, or playing some tunes in the lounge with other staff or with musical passengers. Some very fun nights have been spent this way. As staff I am also expected to help with various things – whatever needs a hand. I have helped many a zodiac come to shore and assisted many more passengers out of the zodiacs with the ‘sailor’s grip’. As soon as the crowds are hiking, I am painting.

I’ve been lucky enough to sit down in front of landscapes across much of this country and these cruises allow me to keep accessing new, remote areas with my paintbox. This trip down the St. Lawrence was no different, although there were a few more urban ports and small towns than most of the other cruises I’ve been on. We sailed from Quebec City to St. John’s, hitting the Saguenays, Gaspe, Ile de Madeleine, P.E.I., Cape Breton, and St. Pierre and Miquelon. Some firsts for me; P.E.I and the Saguenays  were nice to add to the travel list. But, there is nothing like seeing new places from the water. I had no idea of the varied landscapes of the St. Lawrence. Watching them roll by was sweet stuff indeed.

But I don’t want to turn this post into a lengthy travelogue.

Suffice to say that travel, at its best, is transformative. Art… ditto. Travelling and painting together is the real stuff of magic and I feel damn lucky to have chosen this path and more so to have been afforded so many great opportunities along the way.

Later this year, to commemorate the hundredth anniversary of his death, a bunch of us plein air enthusiasts are going to hit some of Tom Thompsons favourite spots and see what kind of work we can make out there. I think we’ll even make a show out of it. I’m looking forward to my next foray no matter where it may be and no matter how I get there. It has never been boring and it always leads to other things down the the road(s). My paintbox stands at the ready.


Gaspe from the deck of the ship

Leaving Gaspe, 12×6 inches, oil on panel


Greenlandic Ice, 60×40 inches, oil on board

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landscape painting of Grey County Road with moody clouds

Two paintings of roads


Hi All,

It has been almost three years since we moved here to Kimberley and while I have done several paintings of the area, I always feel like I am not giving my own backyard the attention it deserves in my studio. There are so many incredible spots up here and now that our almost two year old twin girls are walking with confidence we can get finally start getting out as a family and really exploring some of our local wonders. There are waterfalls and ridges that beckon and I plan on heeding that beckon and mining this landscape for gold, but for now I am doing a smaller, quicker series of local roads.

I love painting roads. I used to always feel compelled to paint cars on them, coming or going- leaving a red streak as they go or slightly blinding you as they approach. It seemed to add an element of ghostly mystery to a piece. Who are they? Where are they going?  There is a built-in narrative… Interesting that of late I seem more compelled to portray an empty road. Maybe getting married and having three children has left me with less longing to see others on the road? I dunno. Hmm.

Anyways, here are a couple pieces that I have been able to squeeze out of my studio between cooking dinners, doing dishes and hanging with the children.

Take it easy and don’t freak out. Spring is coming.



Landscape painting of Grey County road and sunset landscape painting of Grey County Road with moody clouds

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Studio time(s)


The air is cool and the leaves are changing, dammit. Although our wood pile is full and we are ready for the plummeting temperatures there is still a delusional  desire to do summer things. I swam only thrice this whole summer despite our near proximity to various bodies of water. The trip to the zoo never happened. The new chicken coop is still unfinished. But, the studio needs me more than the chickens do. I must lay some paint eggs and bring home some bacon.

So, Sarah and I have devised a practical set of of guidelines for plotting our respective studio time. We take turns getting up early with the three wee ones so that the other may sleep in every second morning. After a good sleep we can take the option of heading into the studio for the rest of the morning and then switch up at noon so the other has the afternoon for working. It seems to be a working version of sanity for the moment. I was up early this a.m. and after diaper changes, feeding everyone and making sweet, sweet coffee for myself I basically just set about trying to keep various shrieks and hollers to a minimum so Sarah can try to get the aforementioned extra sleep.

The mornings might be early but they are also hilarious and truly adorable. This morning, one of our twin girls, Hanneli, wanted every piece of wardrobe available to her to be actually on her. She strutted about  with a pair of tights, swim shorts over that, two shirts, and a raincoat. One running shoe was all she needed as footwear, apparently. On top of everything she put on a costume dragon cape and gave me the pleasure of watching her parade around with a very proud look on her face. Ineke, however, went the other way and tolerated no shirt whatsoever despite the cool morning air. She wanted to paint while Hanneli walked (yup, both walking like orangutans… no talking yet, just shrieks of varied intonation and volume). It is a couple to a few hours of important, tight family time. I truly feel sorry for families who cannot do this due to the time constraints of their careers. It is one of the trade offs that are apparent to every artist who is blessed enough to get by on what they make with their art. Would I like a bigger bank account and a dependable paycheque? Hellsya, but like I said, it is a trade off and after almost twenty years I’m used to the schizophrenic ups and downs of art based income.

So, back to the studio – I have a couple of new pieces on the go. One is of a mountain descending to the sea in Greenland and the other is of a local piece of ground, Bowles Bluff. We have back to back studio tours rapidly approaching and the amount of work available for  viewing is not exactly voluminous. In fact, I think I’ll be postponing a show I had planned for mid-winter as I just can’t foresee a full gallery worth of work materializing before then. This is no lament, but rather an extrapolation. Just the facts, Ma’am. Another big solo show will come when the time is right.

Right now I am in the middle of the big sky in the Bowles Bluff piece. I seem to have developed a habit of painting a tone or two too dark on my first pass which necessitates a re-paint. Frustrating but very learny. A little more preparation and forethought is obviously required. Still, it has been a while since I’ve done some big poofy clouds and I am reminded that there is nothing that is easy about capturing the floating elegance of a good cloud.

Have my thoughts meandered enough for this post? Before I start lamely talking about about what brand of paint I use, I’ll sign off.

Again, check out my new site featuring my drawings and doodles,

And prints are still coming. Soon.

Be well.



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